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Dence Will Bibliography-G E

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DENCE; WILL.

BIBLIOGRAPHY.-G. E. Harris, Identification (Albany, 1892) ; W. E. Bibliography.-G. E. Harris, Identification (Albany, 1892) ; W. E. Hagan, Disputed Handwriting (1894) ; J. Bouvier, Law Dictionary ( Boston and London, 189 7) ; J. Erskine, Principles of the Law of Scotland (21st. ed., 1911) ; J. P. Taylor, Treatise on the Law of Evidence (1 Ith. ed. 1920) . W. R.) The systematic attempt to read character from handwriting is termed graphology. Extravagant and unsubstantiated claims have been made in this field. Graphologists have organized a system of reading personality on the basis of such graphic elements as size, line-quality, slant, alignment, continuity and proportions above and below the line. Size has been claimed to be symptomatic of self-feeling. Unusually large handwriting is said to characterize the ambitious, imaginative person ; very small writing, the pedantic person. It is, however, recognized that there may be more than one cause for the same effect. Minute writing may be due to myopia; magnification of script may mask loss of motor control. The graphologists claim that slant and alignment are symptomatic of emotivity; extreme slant to the right betokens emotional sus ceptibility; to the left, coldness, emotional repression. Falling alignment signifies pessimism; rising alignment, optimism, ambi tion.

The psychology of handwriting puts graphological affirmations to the test. Binet, for example, checked by means of controlled experiments four assumptions of the graphologists, their claim to read from handwriting: sex, age, intelligence and character. He found that the success of graphologists in detecting sex from hand writing ranged from 63 to 78.8% and under favourable variable conditions might reach Inversions of sex signs were, how ever, common. Many women were found to write masculine hands and a few men feminine ones. A sexless hand was also discovered. The interpretation of the results is ambiguous since sex in writing may be an outcome of social factors. On the basis of differences in pressure, speed, size and rhythm, Meumann and Awramoff have also concluded that there are masculine and feminine writing types. Binet found the graphologists could estimate age on the average within about ten years. They were somewhat successful in separating the hands of geniuses from those of average indi viduals but could not select accurately the handwriting of crim inals. Other experimentalists have tested out other assumptions of the graphologists. Hull and Montgomery obtained negative results. Downey found some evidence of positive correlation be tween preoccupation with details and small filif orm writing and between an explosive psychic make-up and general pattern.

Identification of Handwriting.

The handwriting expert in terested in the identification of hands should not be confused with the graphologist who seeks to read character from handwriting. The former may have little patience with the claims of the latter. He may urge that individuality of handwriting is wholly a product of external factors such as the system of handwriting learned, the writing apparatus used, occupational requirements and the like, and yet state, as does Osborn, that the mathematical probability of two complete handwritings being identical is not within the field of probability.

Identification of handwriting is a matter of great importance in law cases which involve questioned documents. The handwrit ing expert utilizes the enlarged photograph, the document micro scope, the colour microscope, designed for recording the tints and shades of ink and delicate scales for determining line-width and similar graphic details. He also applies stereoscopic photography to determine which line was written first, in the case of lines that cross, and to discover the presence of erasures and changes in paper-fibre. He has also stimulated discussions concerning the limits of variability and of disguise in the hands of individuals.

Graphic Pathology.

Medical graphology is concerned with the changes that take place in writing with the incidence of organic or neural diseases or mental disorders. In the case of neural dis turbances, changes in writing may result which are, to a certain extent, symptomatic of a given disease. Such changes occur in handwriting in paralysis agitans, tabes, paresis, writer's cramp, senile deterioration. They consist largely of tremors of various sorts, of ataxia or disorder of form, or involve great increase or decrease in graphic size or blurring or fusion of letters or exag gerated spacing of letters. Mental disturbances may also affect handwriting. There may be an exaggeration of certain character istics that appear in script produced under emotional excitement or extreme inhibition, for example, the magnification of movement in the writing of the maniac and its uphill trend, or the tiny script of the melancholiac with its falling alignment. The curiously deco rated signatures that betoken grandeur of ideas or morbid vanity may also be cited in this connection, as also the elaborate paraphs or flourishes which are made at the end of a signature sometimes in such a way as to suggest that the penman is protecting himself against blows from the outside. Disturbances of handwriting may possibly result from organic diseases. Very broad claims have been made by Duparchy-Jeannez concerning the possibility of using various graphic signs in the diagnosis of stomach, liver, heart and gastrointestinal diseases. Curious applications of medical graph ology have been made in biographical studies. The question has been raised, for example, whether it is possible to determine from the six defective signatures of Shakespeare that are admittedly genuine, whether or not the poet suffered from a given disease. Beethoven's writing has also been scanned to determine the changes that appear in the script of deaf patients.

A curious modification of writing is found in reversed or mirror script which can be restored to the usual form by reflection from a mirror. It has been thought that mirror-writing is the normal writing of the left hand but it is sometimes written spontaneously by the right hand and it is a common occurrence among young children who are just learning to make letters or digits. The most famous instance of mirror-writing is that of Leonardo da Vinci. See CALLIGRAPHY.

BIBLIOGRAPHY.-A.

Erlenmeyer, Die Schrift, Griindzuge ihrer PhyBibliography.-A. Erlenmeyer, Die Schrift, Griindzuge ihrer Phy- siologie u. Pathologie (1879) ; J. Crepieux-Jamin, L'ecriture et le caractere (1896) ; R. Koster, Die Schrift be! Geisteskrankheiten (1903) ; J. R. de Fursac, Les ecrits et les dessins Bans les maladies nerveuses et mentales (1905) ; A. Binet, Les revelations de l ecriture d'apres un controle scienti fique (1906) ; L. Klages, Die Probleme der Graphologie: Entwurf einer Psychodiagnostik (Iwo) ; E. Thorndike, Handwriting (191o) ; F. N. Freeman, Analysis of the Writing Movement," Psy. Rev. Monog., 75 (1914) ; E. Hirt, "Unter suchungen fiber das Schreiben u. die Schrift, Psy. Arb. 6 (1914) ; J. E. Downey, Graphology and the Psychology of Handwriting (1919) ; M. Duparchy-Jeannez, Les maladies d'apres l'ecriture (1919) .

(J. E. D.)

handwriting, writing, graphologists, script, found, changes and graphic