BRIEUX, EUGENE (1858-1932), French dramatist, was born in Paris of poor parents. A one-act play, Bernard Palissy, written in collaboration with M. Gaston Salandri, was produced in 1879, but he had to wait 11 years before he obtained another hearing, his Menage d'artistes being produced by Antoine at the Theatre Libre in 1890. His plays are essentially didactic, being aimed at some weakness or iniquity of the social system. Blan chette (1892) pointed out the evil results of education of girls of the working-classes; M. de Reboval (1892) was directed against pharisaism; L'Engrenage (1894) against corruption in politics; Les Bien f aiteurs (1896) against the frivolity of fashion able charity; and L'Evasion (1896) satirized an indiscriminate belief in the doctrine of heredity. Les Trois Filles de M. Dupont (1897) is a powerful, somewhat brutal study of the miseries im posed on poor middle-class girls by the French system of dowry; Le Resultat des courses (1898) shows the evil results of betting among the Parisian workmen; La Robe rouge (1900) was directed against the injustices of the law; Les Remplacantes (19o1) against the practice of putting children out to nurse. Les Avaries (19o1), forbidden by the censor, on account of its medical details, was read privately by the author at the Theatre Antoine; and Petite amie (1902) describes the life of a Parisian shop-girl. Later plays are La Couvee (1903, acted privately at Rouen in 1893) ; Maternite (1904) ; Les Hannetons, a comedy in three acts (1906) ; Suzette (1909) ; La femme seule (1913) ; Les Americains cliez nous (1920) ; Puisque je t'aime (1929). See also Theatre complet de Brieux (1921-1928).