GAINS, in architecture, a support, usually taking the place of a column or pilaster, and consisting of a lower form, rectangular in section and tapering downwards, and the upper portion made by a human head, shoulders and bust, either male or female. Fre quently the whole is topped by a capital often pseudo-Ionic in form, with large side volutes or spirals. The gaine first appears as a minor decorative motive in the stucco work of the middle 16th century work in Italy. Later it was used architecturally, flanking doors, windows and niches, especially in the fantastic baroque work common in the villas and during the late 17th cen tury. The gaine form was an especial favourite in the Renaissance work of Germany, Belgium and Holland, and owing to Flemish influence, it was much used in the Jacobean work of England.