PERSIUS, in full AULUS PERSIUS FLACCUS (A.D. Roman poet and satirist. According to the Life contained in the mss., Persius was a native of Volaterrae, of good stock on both parents' side. When six years old he lost his father, and his step father died in a few years. At the age of 12 Persius came to Rome, where he was taught by Remmius Palaemon and the rhetor Ver ginius Flavus. Four years later began a close intimacy with the Stoic Cornutus. In this philosopher's pupil Lucan, Persius found a generous admirer of all he wrote. Still in early youth he became the friend of the lyric poet Caesius Bassus, whilst with Thrasea Paetus (whose wife Arria was a relative) he had a close friend ship of ten years' duration and shared some travels. Seneca he met later, and was not attracted by his genius. The perusal of Lucilius revealed to Persius his vocation, and he set to work upon a book of satires. But he wrote seldom and slowly ; a premature death (vitio stomachi) prevented the completion of his task. He is described as possessed of a gentle disposition and girlish modesty and personal beauty. To his mother and sister he left a consider able fortune. Cornutus suppressed all his work except the book of satires in which he made some slight alterations and then handed it over to Bassus for editing. It proved an immediate success.
The scholia add a few details—on what authority is, as gener ally with such sources, very doubtful. The Life itself, though not free from the suspicion of interpolation and undoubtedly cor rupt and disordered in places, is probably trustworthy. The mss. say it came from the commentary of Valerius Probus, a con temporary scholar. The mere fact that the Life and the Satires agree so closely does not of course prove the authenticity of the former. One of the points of harmony is, however, too subtle for us to believe that a forger evolved it from the works of Persius. It requires indeed a thoughtful reading of the Life before we realize how distinct is the impression it gives of a "bookish" youth, who has never strayed far, at least in spirit, from the domestic hearth and his women-folk. And of course this is notoriously the picture drawn by the Satires. So much better does Persius know his books than the world that he draws the names of his characters from Horace.
The chief interest of Persius's work lies in its relation to Roman satire, in its interpretation of Roman Stoicism, and in its use of the Roman tongue. The influence of Horace on Persius can, in spite of the silence of the Life, hardly have been less than that of Lucilius. Not only characters, as noted above, but whole phrases, thoughts and situations come direct from him. The resemblance only emphasizes the difference between the caricaturist of Stoicism and its preacher. Persius strikes the highest note that Roman satire reached; in earnestness and moral purpose rising far superior to the political rancour or good natured persiflage of his predeces sors and the rhetorical indignation of Juvenal, he seems a fore runner of the great Christian Apologists. Like Seneca, Persius censures the style of the day, and imitates it. Indeed in some of its worst failings, straining of expression, excess of detail, exagger ation, he outbids Seneca, whilst the obscurity, which makes his little book of not 700 lines so difficult to read and is in no way due to great depth of thought, compares very ill with the terse clear ness of the Epistolae morales.
Persius's satires are composed in hexameters, except for the scazons of the short prologue above referred to, in which he half ironically asserts that he writes to earn his bread, not because he is inspired. The first satire censures the literary tastes of the day as a reflection of the decadence of the national morals. The theme of Seneca's II4th letter is similar. The description of the recitator and the literary twaddlers after dinner is vividly natural, but an interesting passage which cites specimens of smooth versification and the languishing style is greatly spoiled by the difficulty of appreciating the points involved and indeed of distributing the dialogue (a not uncommon crux in Persius). The remaining satires handle in order (2) the question as to what we may justly ask of the gods (cf. Plato's second Alcibiades), (3) the importance of having a definite aim in life, (4) the necessity of self-knowledge for public men (cf. Plato's first Alcibiades), (5) the Stoic doc trine of liberty (introduced by generous allusions to Cornutus' teaching), and (6) the proper use of money. The Life tells us that the Satires were not left complete; some lines were taken (pre sumably by Cornutus or Bassus) from the end of the work so that it might be quasi finitus. This perhaps means that a sentence in which Persius had left a line imperfect, or a paragraph which he had not completed, had to be omitted. The same authority says that Cornutus definitely blacked out an offensive allusion to the emperor's literary taste, and that we owe to him the reading of the mss. in Sat. i. 121,-"auriculas asini quis non [for Mida rex] habet !" Traces of lack of revision are, however, still visible.
mss. of Persius fall into two groups, the one represented by two of the best of them, the other by that of Pithoeus, so important for the text of Juvenal. Since the publication of J. Bieger's de Persii cod. pith. recte aestimando (Berlin, 189o) the tendency has been to prefer the tradition of the latter.
The important editions are: (I) with explanatory notes: Casaubon (Paris, 16o5, enlarged edition by Diibner, Leipzig, 1833) ; 0. Jahn (with the scholia and valuable prolegomena, Leipzig, 1843) ; Coning ton (with translation; 3rd ed., Oxford, 1893) ; B. L. Gildersleeve (New York, 1875) ; G. Nernethy (Buda-Pesth, 1903) ; (2) with critical notes: Jahn-Biicheler (3rd ed., Berlin, 1893) ; S. G. Owen (with Juvenal, Oxford, 1902). Translations into English by Dryden (1693) ; Conington (loc. cit.) ; Hemphill (Dublin, Igo') ; Ramsay (Loeb, 1918), etc., in Martha, Les Moralistes sous l'empire romain (5th ed., Paris, 1886) ; Nisard, Poetes latins de la decadence (Paris, 1834) ; Hirzel, Der Dialog (Leipzig, 1895) ; Saintsbury, History of Criticism, i. 248; Henderson, Life and Principate of the Emperor Nero (London, 1903) ; and the histories of Roman literature (especially Schanz, §§ 382 sqq.). A Bibliography of Persius, by M. H. Morgan (Cam bridge, U.S.A., 1893) ; Villeneuve, Essai sur Perse (Paris, 1918).