Player-Piano

air, pneumatics, pneumatic, power, valve, fig, slide, collapse and exhaust

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A similar device withdraws all the dampers from the strings. This being a heavier task than shifting the hammers, a larger pneumatic has to be employed, and two valves instead of one. Music rolls are provided with an additional hole at the left-hand edge, which works the lifting of the dampers, if desired.

Change of power, in addition to the means above described, is provided by varying the strength of the blow given to the ham mer. Fig. 4 shows how the normal amount of reduced air is altered by interposing a pneumatic, N, between the main exhaust, E, and the small playing pneumatics. Pressing a button (as in fig. 3), air is allowed to enter at A, the pressure from which lifts the pouch, P, and with it the valve, D. This closes the large hole, L, and leaves only the aperture, K, over which lies a knife-cutter valve, J, so called because it closes like the blade of a pen-knife. The spring, S, is of such strength that it governs the amount of air passing through to the bellows, hard pumping closing N and therefore closing the aperture K and preventing loud playing.

A slight alteration of fig. 4 would give a fair representation of the automatic Accenting Device, which is worked from marginal perforations in the music roll. The valve disk, D, is moved to the other side of the hole, L, keeping it normally closed and softening the tone until a marginal perforation allows air to rush towards P. The pouch lifts the valve, opens L and accents the note.

The pedals also provide sufficient power to work the spool which draws the music roll over the tracker-bar. Five pneumatics of the type shown in fig. 5 are fixed at equal angular distances upon a crank-shaft, C, each one collapsing in turn and so driving the shaft round steadily. Collapse is effected when the hollow slide, S, is covering both of the ports A and B, for the pneu matic is then in direct communication with the main exhaust, through E. As the crank-shaft is thus moved round, the slide is raised, and no longer covers both ports. External air is admitted to the pneumatic, and the collapse of one of its neighbours pro vides the power to lower its slide and again get into communica tion with the main exhaust.

All communication between motor and exhaust is by way of a governor pneumatic ; powerful pedalling tends to collapse it, but directly this happens a knife-valve partly closes the passage-way (as in fig. 4), and thus prevents the motor from "racing." Varia tion in tempo is secured by deliberately altering the size of the passage-way within an enclosure known as the Tempo Box. The shape of the slot is usually as shown in fig. 6, over which passes a slide, S. When half the area of the slot is covered, the speed of the motor is half its maximum, and so on, the slide being worked mechanically from the control board.

The holes in the paper roll being so close together, it is essen tial that they should track correctly, despite the effects of wear and weather. Correct tracking is controlled in ways which vary in detail, but usually depends upon the action of two pneumatics, kept under exhaust. Holes in the tracker-bar are so placed as to be uncovered when (and only when) the roll goes to one side, letting air into one of the pneumatics and causing it to open slightly, taking with it either tracker-bar or spool.

Reproducing Pianos.

The "reproducing" instruments are in a separate class, designed to reproduce faithfully all the shades of tempo and expression made by well-known pianists. All con trol is rightly withdrawn from the operator when using the specially cut rolls, but the same instrument may be used for ordinary rolls by putting the reproducing mechanism out of action. Additions to the normal player mechanism are mostly for the purpose of controlling more completely the comparative loudness or softness of individual notes. To do this effectively it is neces sary to have as many grades of power as possible, to include smooth crescendo as well as sforzando effects.

The Ampico mechanism alters the size of the main passage-way (and hence the power) by means of a regulator valve, which is attached to a lever, controlled by a set of pneumatics under vacuum (three small "intensity" pneumatics above, balanced by a large "spring" pneumatic beneath). When marginal perfora tions connect up to the valves of the "intensity" pneumatics, these lift and allow the pneumatics to fill with air, thus exerting an up-push on the lever, raising the regulator valve and increas ing the size of the passage-way. As these pneumatics lie along the lever, their lifting power depends upon position, those fur thest from the fulcrum end being the most effective. When it is necessary for an intensity pneumatic to collapse again, another marginal perforation, connecting up to a "cancel" valve, admits air and allows this to happen. Further marginal perforations are provided, one for slow crescendo, and the other for fast crescendo, each connecting up to the same crescendo pneumatic, but in the latter case two ways are open for the air to escape, making the pneumatic collapse quickly. For "brilliant" or extra powerful performance, the Ampico can be switched over so as to close the slight "in-leak" provided on one of the three pumpers of the power mechanism. The whole system then works at maximum power. For subdued performance the main passage-way is blocked by a disk, operated pneumatically from a switch in the spool-box.

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