The saddles of the East and of the Arabs keep their primitive shape, and they are really seats in which rather than on which the rider sits. The Mexican saddle, with its silver adornments and embossed leather, is a characteristic type. It has a very high padded pommel and a round-headed projecting cantle.
most museums showing that the forms have changed little. In the late iron age burial of a Gaulish chief with his chariot at Somme-Bionne were two horses' bits of the jointed snaffle type.
In ancient Greece and Rome the bit and bridle were used dur ing historic times, and allusions to riding without them refer to exhibitions of horsemanship. On Trajan's column the Numidians ride without bridles or bits, and various North African tribes trained their horses to obey their voice alone (cf. Claudian, Epig. i. 10, of the Gaulish essedarii, driving without bridle and reins). The locus classicus for the bridling and saddling of the Greek horse is Xenophon, IlEpl brim6s. The Greek name for the bridle bit and reins collectively is xaXtvos (Lat. frenum), the bit proper arOtobov, in Lat. frenium is also used of the bit itself. The headstall (Kopv4)ata) and cheek-straps (rapiiia) were richly dec orated. In Homer (II. iv. 142) the latter are ornamented with ivory plates stained with purple, and such have been found on the site of Troy (Schliemann, Ilios, 476, 631). The head-band also bore a crest (Xo4)6s, crista), and in front the (Iron tale) might be extended down the face to serve as a defence, as in the mediaeval chaufrein. This frontal was a special subject of decoration. Of the two principal types of ancient bits, the un jointed and the jointed mouthpiece, the latter is the most common form. There are also other forms of bits ; those with sharp points were called lupata (Virg. Georg. iii. 208). There is a Greek bit in the British Museum with revolving disks, a device which occurs in mediaeval bits, to give the horse something to keep turning in his mouth. The curb was also used : Xenophon distinguishes between the snaffle (XEI.os xaXtv6s) and the curb. The curb-strap or chain was termed i)roxaXtvtola or tAXtov, which, however, may mean a muzzle. A bronze bit found at Pompeii has a twisted and jointed metal mouthpiece and a plain curved bar acting as a curb-strap. The cheek-bars of the bit take a variety of forms: straight bars, circles with rays, square or oblong plaques, triangles and the swan necked or S-shaped type are all found. In medieval times compli cated and severe bits were used, and heavy bits with cruel mouth pieces and long elaborately curved cheek-bars are still used by Arabs and the riders of Central and South America.