Connection with the Chamberlain's Company of Actors. —From the reopening of the theatres in the summer of 1594 onwards Shakespeare's status is in many ways clearer. He had certainly become a leading member of the Chamberlain's company by the following winter, when his name appears for the first and only time in the treasurer of the chamber's accounts as one of the recipients of payment for their performances at court ; and there is every reason to suppose that he continued to act with and write for the same associates to the close of his career. The history of the company may be briefly told. At the death of the lord chamberlain on July 22, 1596, it passed under the protec tion of his successor, George, 2nd Lord Hunsdon, and once more became "the Lord Chamberlain's men" when he was appointed to that office on March 17, 1597. James I. on his accession took this company under his patronage as grooms of the chamber, and during the remainder of Shakespeare's connection with the stage they were "the King's men." The records of performances at court show that they were by far the most favoured of the com panies, their nearest rivals being the company known during the reign of Elizabeth as "the Admiral's," and afterwards as "Prince Henry's men." From the summer of 1594 to March 1603 they appear to have played almost continuously in London, although they undertook a provincial tour during the autumn of 1597, when the London theatres were for a short time closed owing to the interference of some of the players in politics. They travelled again during 1603 when the plague was in London, and during at any rate portions of the summers or autumns of most years thereafter. In 1594 they were playing at Newington Butts, and probably afterwards at the Cross Keys in the city. It is natural to suppose that in later years they used the Theatre in Shoreditch, since this was the property of James Burbadge, the father of their principal actor, Richard Burbadge. The Theatre was pulled down in 1598, and, after a short interval during which the com pany may have played at the Curtain, also in Shoreditch, Rich ard Burbadge and his brother Cuthbert rehoused them in the Globe on Bankside, built in part out of the materials of the Theatre. Here the profits of the enterprise were divided between the members of the company as such and the owners of the build ing as "housekeepers," and shares in the "house" were held by Shakespeare and some of his leading "fellows." About 1608 an other playhouse became available for the company in the "pri vate" or winter house of the Blackfriars. This was also the property of the Burbadges, but had previously been leased to a company of boy players. A somewhat similar arrangement as to profits was made.
Shakespeare is reported by Aubrey to have been a good actor, but Adam in As You Like It, and the Ghost in Hamlet indicate the type of part which he played. As a dramatist, however, he was the mainstay of the company for at least some 15 years, during which Ben Jonson, Dekker, Beaumont and Fletcher, and Tourneur also contributed to their repertory. On an average he must have written for them about two plays a year, although his rapidity of production seems to have been greatest during the opening years of the period. He sometimes took his plots from earlier plays, but any theory which represents him as largely a "patcher" of the work of other men, or of his own, is open to grave doubt.
Similarly, while the texts of his plays contain some theatrical interpolations, there is no reason to suppose that they were sub stantially revised by other hands before the Restoration. Occa sionally he may have entered into collaboration, as, for example, at the end of his career, with Fletcher.