RIBLIOGRA Y. Special articles, such as OPERA, 1N Snit' NI EN TAT ION. GREEK AI utile, have their own separate bibliographies. so the following is mere ly a list of general reference books. Consult: Lavignae. Music and .11usicians, trans. (New York, 181)9) ; Ritter, Angemeinc illustrierte EncI,k1opndic der .11usikgesehichte (Leipzig. 1902) ; Ilelmholtz, On the Sensations of Tom.. a Physiological Basis for the Theory of Music, t ra ( London, 1875) ; Am h ros, Mackie der Musik (Breslau, 1862-82) ; Gevaert. Histoirc et thf'orie de la musique de l'antiou (Ghent. 1875-811: Reissmann, Zur Aesthetik der Tonkunst (Berlin, 1879) ; Savard. Prinripes de In musique et nle'lhode de transposition ( Paris. 1898) ; and for more general works on the history and development of music, consult: The Oxford History of Jl lisle (Oxford, 1901 et. seq.) ; Nan In a nn, The History of .11u.sie. trans. ( London,
)880) Burney. .4 General History of Music (London, 1879) ; Hawkins, A General the Science and Practice of Music (London, 1870) ; hCtis, Histoire yi'llftale de la musique (Paris, I809-7(1) ; Schumann. Music and Masi pia us, trans. (new ed., London, 1902) ; Rock stil, d (;eneral of Nasie from the In fancy of the Greek Drama to the !'resent Period (New York, 1SS(l); Parry, The Erolution of the .Irt of ilusie 1S9G); Henderson, How sic Dereloped (ib.. 1898) : Wallaschek, Primitire Music (London, 1893) ; Krehbiel, now to Listen to ilusir (New York, ISM) Tluneker, Mezzo tints in Modern Music (ih., 1899) ; :Matthew, The Literature of Music ( London, 189fi) /toad hach der m usikaliseh en hitter, ( Leipzig. Untersteiner. .1 Short history of Musie, trans. (New York, 1902). See NATIONAL