ROUEN, a city of France, capital of the department of Seine Inferieure and the ancient capital of the province of Normandy, on the Seine, 87 m. N.W. of Paris by rail. Pop. (1931) 115,283.
Under Louis le Debonnaire and his successors, the Normans several times sacked the city, but after the treaty of St. Clair-sur Epte in 912, Rouen became the capital of Normandy and the principal residence of the dukes. In 1087 William the Conqueror, mortally wounded at Mantes, died at Rouen. The succeeding Nor man kings of England tended to neglect Rouen in favour of Caen and afterwards of Poitiers, Le Mans and Angers; but it maintained an importance during the 12th century indicated by the building of churches, notably that of St. Ouen. In 1203 Rouen was the scene of the murder of Arthur of Brittany at the hands of King John of England. Ostensibly to avenge the crime, Philip Augustus invaded Normandy and entered the capital unopposed. Philip confirmed its communal privileges and built a new castle.
unsuccessfully and only obtained entrance after his abjuration. The revocation of the edict of Nantes in 1685 greatly affected Rouen. During the Franco-German War the city was occupied by the invaders from December 1870 till July 1871. During the World War Rouen played a great part in the supporting organiza tion of the British army in France.
The cathedral was built on the site of a previous cathedral, burnt in 1200, and its construction lasted from the beginning of the 13th century (lateral doors of the west portal), to the begin ning of the i6th century (Tour de Beurre). The western façade belongs, as a whole, to the Flamboyant style. But the northern tower, the Tour St. Romain, is in the main of the 12th century, its upper stage having been added later. The southern tower, the Tour de Beurre, so named because funds for its building were given in return for the permission to eat butter in Lent, is of a type essentially Norman, and consists of a square tower pierced by high mullioned windows and surmounted by a low, octagonal structure, with a balustrade and pinnacles. These contrasted towers are the most striking feature of the wide facade. The por tals of the transept are each flanked by two towers. The most remarkable part of the interior is the Lady Chapel (1302-2o) behind the choir with the tombs (1518-25) of Cardinal Georges d'Amboise and his nephew, the statuary of which is of the finest. Renaissance workmanship. Behind the cathedral is the archiepis copal palace, a building of the 14th and 15th centuries.