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Great Expectations

dickens, pip and miss

GREAT EXPECTATIONS among the last of the novels of Charles Dickens, is one of the less important and widely-read of his works. It marks, however, a reversion to an earlier type of his fiction, wherein the char acters, rather than any social or institutional reform, are the chief source of interest. It is perhaps freer of any animus of criticism than any of the novels, except possibly its successors, (Our Mutual Friend' and Drood.' The scene is mainly in and near Rochester in Kent and, as always with Dickens, in London. The story consists mainly in taking the hero, Pip, from about the age of five years, to the time when he becomes settled in early middle life. In the course of this tale, Pip, after certain not very great hardships of childhood, alleviated by the kindness of his brother-in-law, the large hearted Joe Gargery, and somewhat complicated by the mystifying patronage of an eccentric lady, Miss Havisham, becomes heir to great but mysterious expectations. The source of his sudden prosperity is thought to be Miss Havis ham but it turns out to be a convict whom Pip as a small boy had befriended and who had escaped from Botany Bay where he had made a fortune. On the recapture and death of the

latter, Pip's expectations vanish, but be has meanwhile gained enough by experience and education to be able to pursue his way success fully. The novel is less notable as a coherent and likely story than as a picture of boyhood, and for the presence of typical Dickens char acters of the appealing sort, Joe Gargery, Biddy and others, the somewhat caricatured people like Wemmick, the Pockets, Wopsle, Pumble chook and a large array of grotesques, Jaggers, the lawyer, Provis, the convict, Miss Havisham, Orlick, the superfluous villian, and many more, who are, as usual with Dickens, depicted by means of habitual acts and sayings. Though none of these people are as well-known as Pick wick, the Wellers, Uriah Hew, Pecksniff, Mrs. Gamp and many of the earlier household por traits, the novel remains one of the freest from sentimentality, false pathos and grotesque odd ity that Dickens ever wrote.