SUDERMANN, Hermann, German drama tist and novelist: b. Matziken (near Heydekrug, East Prussia, 30 Sept. 1857). His father was a brewer, descended from a family of Dutch Mennonites, one of whom was the didactic and moralistic author Daniel Sudermann (1550 1632), who wrote in German. Hermann Suder mann attended the Realschule at Elbing, the Realgymnasium at Tilsit, earning a living at the same time as an apothecary's apprentice, and went to the University of KOnigsberg, where he studied philology and history until 1877. In the latter year he went to Berlin and became a tutor to various Berlin families, including that of the author Hans Hopfen (1835-1904). He then turned to journalism (his first charge was that of co-editor of the Deutsches Reichsblatt, 1881-82), which was to be his introduction to literature. In 1891 he married the authoress Klare Lauckner, a widow (née Schulz, b. 14 Feb. 1861). Sudermann later retired to a villa at Grunewald, a suburb of Berlin, and now spends much of his time at his castle of Blan kensee, near Trebbin, which the enormous royalties on his plays enabled him to acquire. But his first successes were not in the field of the drama, but in the novel and short story. Zwielicht' ('In the a volume of short stories, appeared in 1887 (36th ed„ 1910), followed in the same year by 'Frau (English translation may be had under the name Dame his most famous novel. The latter is a powerful, simply con structed, objective work, excellent in suggestion of tone and milieu, with a somewhat sensa tional ending. Bjornson's story, was probably used as a model, and Sudermann's work in turn served as the model for Frens sen's great success, Uhl.' The 125th edi tion of 'Frau Sorge) was printed in 1912. After another volume of short stories Geschwister) 1888), came another strong but somewhat more vulgar novel, 'Der Katzensteg> (1889; English translation to be had under the title 'Regina'). Although his talent as a nar rator is very great, he felt his skill as a drama tist to be greater, and in the same year (1:0, which is the year of the opening of the realistic movement in the German theatre (consult arti des on Fontane, Gerhart Hauptmann), his first play, (Mare' ((Honor') was played in the Les sing Theatre, Berlin, on 27 November. This
play, which had been originally intended to be a tragedy, and which, on Blumenthal's advice, had been conducted to a 'happy ending,' was a pseudo-Nietzschean attack on the morality of the lowly and had a great success. The next play, 'Sodoms Ende> (5 Nov. 1890), a tragedy of artistic life in Berlin, was not a success. It was followed by (7 Jan. 1893), in which Sudermann again emphasizes the right of the artist to a freer moral life than that of the petty bourgeoisie, and which is constructed with such telling dramatic effect, that this play has carried Sudermann's reputation all over the world. Every great actress considers 'Magda' (in English the play is known by that name), the heroine of to be one of the touchstones of her profession. There is in this play some of the moralistic and didactic tendency of the later French dramatists, es pecially the younger Dumas, and all of their technical finesse. Sudermann attempted an other long novel, 'Das hohe (English translation, 'The Song of Songs>) in 1908. His latest work of which any report has reached this country is the dramatic cycle 'Die entgotterte Welt) ((The World made God of which one section, 'Die gutge schnittene Ecke' (performed at the Lessing Theatre, 28 Jan. 1916), treats satirically of the sordid commercial phases of theatrical art in Berlin. On the whole, Sudermann must be regarded as a seeker for sensational effect and high royalties, in which he has been extremely successful. The permanent value of his work is slight. But its present popularity renders it important to study it as a symptom of the times. His other works are Hoch :eft) (short story, 1892); 'Es war) (novel, 1894); 'Die Schmetterlingsschlacht' (1895); (three one-act plays, 1896); 'Das Gliick im Winkel) (1896); (1898); 'Johannisfeuer> (1901) • 'Es lebe das Leben' (1902); 'Das Blumenboot> (1905); 'Strand kinder) 0909); 'Der Bettler von Syrakus' (1911); 'Der gate Ruf) (1912). See MAGDA.