CONADIE FRANCAISE, keimie-de' f ran'. siz', the official name of the national theatre of France which is supported by public funds for the purpose of advancing dramatic art. It was long known popularly as ((La Maison de Moliere," or Mohere's Theatre, even after it had become, by royal decree in 1680, a national institution; and the two great bodies of actors then in Paris, those acting at the Hotel de Bourgogne Theatre and those at the Gene gaud Theatre, had been united and fused into one body. The former, which was Moliere's dramatic institution, had originally been an old theatre where miracle plays had been presented as early as 1543. Thus the Comedic Francaise may be said to have an unbroken tradition reaching back to the days of Moliere, and to have had theatre connections for more than a century previous to the death of the great dramatist in 1673. Two years after the amal gamation of the dramatic companies they re ceived a royal grant of 12,000 livres ($2,400) per year; and seven years later they took, for the first, their present designation of players of the ((Comedie Francaise." From 1770 to 1782 the ((Comedic" had quarters in the royal palace of the Tuileries. But the Revolution of 1789 divided the players of the uComedie Francaise into two strongly antagonistic political parties and disrupted the organization to such an extent that all public performances were sus pended. Each party reorganized, some months later, as an independent theatrical organiza tion, the Royalists taking the name ((Theatre de la Nation* and the Republicans that of ((Theatre de la Republique." In 1793 the former theatre closed its doors and its players were arrested by the Committee of Public Safety; but they were subsequently released and al lowed to again open their theatre. Napoleon, in 1812, issued regulations for the government of the national theatre, which are still, with some subsequent modifications, in force. The government appoints a general manager of the theatre, the members of the stock company of which divide the profits according to laws and regulations prescribed by the articles of incorporation of the organization. The "Co
medic Francaise receives from the French gov ernment an annual pension of 240,000 francs. Its membership is divided into asocietaires" and The former are regular mem bers of the organization and as such receive a pension of 4,000 francs a year after 20 years of service, while the latter are paid actors who may, after a certain length of service, become usocietaires? The building of the °Comedie Francaise'' was so badly damaged by fire in 1900 that it had to be practically rebuilt. This resulted in making the edifice much more modern in every way. The names of nearly all the great actors and dramatists of France have, at some time in their career, been associated with that of the °Comedie." Bibliography.— Bonnassies, J., 'La Comedic Francaise, histoire administrative) (Paris 1874) ; Cochrane, 'The Theatre Francais in the Reign of Louis XV' (London 1879); Etienne and Martainville, 'Histoire du Theatre Francais) (Paris 1802); Hawkins, F. W., 'The French Stage in the Eighteenth Century' (Lon don 1888); Joannides, Comedie Francaise 1680 a 1900' (Paris 1901) ; Lucas, (Histoire philosophique et litteraire du Theatre Francais' (Paris 1862); Pougin, A., Wictionnaire his tongue et pittoresque du theatre' (Paris 1888); Riga', Eugene, 'Les Theatres de Paris 1548 a 1635' (Paris 1887); Soubies, A., 'Almanach des Spectacles) (1890); Weiss, 'Autour de la Comedic Francaise' (Paris 1892).
COMgDIE HUMAINE,
La, a series of novels by Balzac, so designated by their author, and intended to form a picture of the manners and morals of the period. The first volume of the