BIBLIMRAPHY. The chief source for the lives of the painters, the Vas: ri of the Netherlands, is Van Mander. Het schilder-boeck (Alkmaar, 1604) ; also. Ilimbraken, !pooh set; ou bury der nederlandsche kunstschilders, ( A lust erd a in, 1718). (If modern works, the best are: van Eyn den and van der Willigen, tleschicdcnis der railer landsche schilderkunst, scdert de hell'( des ISde (cute (Ibtarlem, 18G0); Immerzeel. De /evens en werkens der Hollandsche cn Plaantsr!ie kunst sch deters ( Amsterdam , 1842-43) ; Blanc, His to ire des pc i n t res hol la tutu is et 11 a ni a MiS (Paris, 1852-57) ; Fronwntin, Les maitrcs d'autrefois: Belgique et (Paris, 1871i; English lation, Boston, 1882) ; Riegel, B141'1'011: zur nie derliindischrn Kunstgesehichic ( Berlin, 1882) ; Kugler, Handbook of Painting—t;erman. Flem ish, and Hutch Schools (Eng. trans., London, 1898) ; Van Dyke, Old Dutch and Flemish Mas ters (New York, 1896) ; Philippi, Die Ithithe der Alalcrei in Belgien and Holland (Leipzig, 1900 01).
For the Flemish school, consult: Michiels, His toire de la pcinturc Ilamande (Brussels, 18G5-74) ; Crowe and Cavaleaselle, Early Flemish Painters (London, 1872) ; Rooses, Gesehiehte der Malcr &quite tit werpeas, trans. by IZeher (Munich, 1880); Van den Branden, Geschiedenis der Ant werpsche Schilderschool (Antwerp, 1883) ; and especially Wasters, La pcinture Ilamande (Paris, 1884). For contemporary Belgian painting, con sult: Lemonnier, Histoire des beaus-arts en Bel gique (Brussels, 1881) ; De Mont, Die graphi schen Kiinste inz heutigen Belgien (Vienna, 1902). For the Dutch school, consult: Bode, Studien znt' GOSChiChte der holliindischen, 11a1erci (Bruns wick, 1883) ; \Vurzbach, Gesehiehte der holliin dise1rn 1Ialerci (Leipzig, 1885) ; Bayard, La peinture hollandaise (Paris; English trans., New York, 1855) ; van der Willigen, Les artistes de Haarlem (The Hague, 17S0) ; Vosmaer, he dendaagsche schilders (Amsterdam, 1883-85).