PERSIAN LITERATURE. We possess scarcely any docu ments on the intermediary stages of the Persian language between middle Persian and modern Persian. More than this, the first specimens of modern Persian are in verse ; therefore the be ginnings of the Persian language, as known to us, practically coincide with those of Persian literature. The origin of Persian poetry is associated with the rule of the Persian dynasties, which sprang up in the east as soon as the grip of the caliphs became less felt in the outlying parts of their empire. •The earliest poets (9th and loth centuries) were mostly natives of such extreme north-eastern provinces as Merv, Bukhara and Samaruand, but we may simply be less informed of the developments in the west. According to Tabari, the amir of Maragha (in Azerbaijan) Muhhammad bin Batith (d. A.D. 85o) was the author of some poems in Persian.
Earliest Poets.—The earliest name mentioned by the Persian biographers is that of 'Abbas of Marv, who in A.H. 193 = A.D. Boo composed an ode in honour of Harfin al-Rashid's son Ma'mun, noted for his strong pro-Persian feelings. Specimens of it, as quoted in the anthologies, are now regarded as spurious, but a Persian verse by a certain Abu Taqi al-`Abbas bin Tarkhan pre served by the Arabic geographer Ibn Khurdadhbih (towards A.D. 846) has a more genuine appearance; this Abu Taqi al-`Abbas may even be the same person as 'Abbas of Marv.
We know little more than the names of the poets who lived under the Tahirids (A.D. 821-873) and the Saffarids (A.D. 878 90o), but the unification of the eastern provinces under the Samanids (A.D. 875-999) was marked by the rise of a great many Persian poets. Some of them were patronised by the princes of other contemporary Persian dynasties: the Buwaihids (932 1055), the Ziyarids (A.D. 928-1042, in Tabaristan and Gurgan) and the Farighfinids (A.D. 980-1010 in the region west of Balkh). Even the surviving fragments of these poems, some of whose au thors wrote also in Arabic, permit us to trace the principal liter ary forms developed later on,—such as the qasida, or panegyric, the ghazal, or ode (love-ditty, wine-song or religious hymn), the rubii'i or quatrain (in a special metre unknown to the Arabs), and the mathnavi, or double-rhymed poem (used for epic and didactic poetry). Many of these earliest specimens of Persian verse, first
discovered in Europe by Dr. H. Ethe, are real gems of sponta neous poetic feeling not yet fettered by the later conventional forms of rhetoric.